What I like about photographs is that they capture a moment that’s gone forever, impossible to reproduce.
The artist’s world is limitless. It can be found anywhere far from where he lives or a few feet away.
Photography has been my way of bearing witness to the joy I find in seeing the extraordinary in ordinary.
It’s amazing how photography can capture just a split second of something exquisite.
The camera is an instrument that teaches people how to see without a camera.
In the world of photography, you get to share a captured moment with other people.
Photography deals exquisitely with appearances, but nothing is what it appears to be.
There is one thing the photo must contain – the humanity of the moment.
When choosing the best camera for wildlife photography, there are a number of things to consider. That’s where this guide comes in. Not only have we selected some of the best wildlife cameras for all budgets and experience levels, but you’ll also be able to familiarize yourself with the specs and features you’ll need to get the shots you want.
(Pocket-lint) – Over the last decade we’ve seen the compact camera market collapse, photo sharing explode, and smartphones evolve into the most important cameras out there. At the same time, camera performance has become the most important aspect of those phones. It’s not about call clarity, it’s about photo quality.
At iD, we are celebrating our 35th anniversary with 18 covers photographed by Alasdair McLellan. And now that Caitlyn Jenner has invaded the Internet with her cover for Vanity Fair, we have decided to look back and remember the covers of …
Magazine articles can be a great boost for seasoned freelance writers or writers trying to jump-start their writing careers. In fact, there are no clear requirements needed to write journal articles, except for having a strong writing voice, a passion for research, and an ability to steer your articles toward the right publication. While it may seem like magazines are disappearing in the digital age, national magazines continue to thrive and can pay their writers $1 a word. To write a good magazine article, you should focus on generating good article ideas and then develop and revise them with a lot of attention to detail.
Consider magazines where you have a subscription or ones you enjoy reading on a regular basis. You may also focus on posts you know little about but would like to start contributing articles to. Read at least three to four recent editions of the publications and pay close attention to various aspects:
If you recently had a good conversation with a friend about a trend, topic, or issue, think about how you might be able to take that conversation and turn it into a story idea. Maybe your friend was talking about a new trend or social network, or how racism is a problem at his daughter’s school. Focus on conversations that were filled with strong passions or emotions and related to a current trend or issue.
If you’re thinking of writing a magazine article for a local publication. You should check out lists of local events that might be newsworthy. These events could be local protests, restaurant openings, music festivals, or local plays. Starting small with local publications before branching out to national publications could help you get started as a magazine writer. Especially if you’re just starting out in your writing career.
You should have a good sense of what other writers are currently writing or posting on social media. This way you won’t miss out on any current trends or ideas. You might be able to put a different spin on an existing article.
Perhaps you are very interested in a topic that has been covered many times in different publications. And yet you do not stop thinking about it. Find a new point of view on the topic so that it feels fresh, relevant, and new. This will make your magazine article stand out to editors and thus attract your target audience.
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So, are you looking for more exposure for your work? Want to get a nice collection of post clips?
Magazines represent a great opportunity for your work to be seen by many people in different places. Magazines, like most of the fields of journalism, have had their ups and downs in recent years. But many still exist and are always in need of great photography. This article will help you understand what magazines and publishers are looking for in terms of standards, photo quality, and editing.
With the recent changes in DSLR cameras from cropped to full-frame, image sizes continue to increase and megapixels will continue to rise. For some of the high-end cameras, there is a way up. But what does it take to fill the glossy pages of magazines?
The real answer is that it really depends. For news/sports / editorial publications, an image from a standard DSLR will work quite well because megapixels are not as important as they usually are.
Ken Rockwell, a photographer, and avid equipment reviewer unravel the ” megapixel myth,” a myth that requires a high-megapixel camera to produce high-quality prints.
Today, even the cheapest cameras are at least 5 or 6 MP, which is sufficient for any print size. How? Simple: when printing something three feet (1m) wide, you get further back. Print a sign, and you stand 100 feet behind. With 6 megapixels it is enough.
Any modern DSLR (10MP and up) can have frames used for a double-carriage differential (or two pages). If your camera shoots less than 10MP, your images can be used to fill an entire page. As with any type of photographic printing, it is less about the megapixels and more about the quality of the photo.
The image above shows a horizontal image cropped to a vertical image. In this case, the photo would not work as a portrait.
A magazine is a very different canvas for your work than a typical print. By printing your photo, you can frame it and hang it in any way you like. It can be 8×10 or 10×8. With magazines it is different. Most magazines are designed for vertical photos. Otherwise, you would have to actually crop an image.
Inside a magazine, they will be horizontal, but many of the photos are vertical because they allow for better text and layout fit. And 9 times out of 10 the cover photo will be vertical (unless the magazine has a unique layout or is cropped horizontally).
Remember this when you are shooting. Or, do like many professionals and take a photo both horizontally and vertically, to cover all your bases if you are not sure how the photo will be used.
Professionally produced magazines use the CMYK color process, and unless your monitor is set for CMYK, it can be a pain to make sure of the perfect shade.
Don’t let this stop you from toning it yourself, but keep in mind that they will probably readjust the photo to match their internal standards.
In recent years, many magazines have had major gaffes with image editing. In the world of commercial photography, airbrushing and extreme editing is common, but not in the world of publishing and photojournalism. Make sure you know the rules and practices for the kind of magazine you are dealing with. In this way, everyone is on the same page and the photos are treated appropriately.
You don’t want to end up in Photoshop Disasters, a website with all about bad editing in Adobe Photoshop.
The big question is: after photographing something for a publication, who owns it?
In the United States, copyright can work in two ways. Most of the time for photographers, either (the author) has the work under the copyright law of 1976, or it works for hire. Contract work is a very common practice, but many photographers dislike it and have given it a bad connotation.
“It is a ‘work performed under contract’: (1) a work prepared by an employee within the scope of his employment; or (2) a work specially ordered or commissioned for use as a contribution to a collective work, as part of a film or other audiovisual work, as a translation, as a complementary work, as a compilation, as an informational text, as a test, as response material for a test, or as an atlas, if the parties expressly agree in a written document signed by them that the work will be considered a work performed by contract. (17 USC § 101) ”
To learn more about contract work, Dan Heller has written a great post detailing paid work for photographers. So where is the ownership of the license for the photos you’ve taken?
It really depends on how the contract you signed is worded. Notice how they have everything detailed. Do customers get a lifetime license to use the images on any medium, or do they get a one-time use in print? Photo Critic has written a great post on the different types of licenses for photographers.
The key to ownership is knowing what is being signed. And making sure both parties are aware of the settings.
Magazines are one of the few mediums where poorly defined photos will be very obvious.
Photo editors want photos that jump off the page and attract readers’ interest, for this reason, they need sharp photos (the highest level of sharp photos that a photographer can take).
When taking photos, make sure your hand is steady so your photos are sharp. If necessary, focus on them later in Adobe Photoshop.
If you’re shooting something like an interior or landscape, use a tripod and remote release button to help improve camera stability and consistency.
Magazines and publications use a very different calendar than newspapers and corporate clients. Take into account the deadlines of the publication of the art and know when they send them to print. Make sure to communicate with them as you work and prepare any of the assignments so they know what to expect.
Before trying and tackling a national publication like Time magazine, start locally and build your portfolio.
Now more than ever, local magazines are popping up that cover local interests. Since they are already in the coverage area, you should have a better chance of getting involved. And photographing local subjects without having to worry about transportation. And additional expenses like food, accommodation, or travel expenses.
Work locally to gain experience and get a sample of the work that should help you land more jobs in the future and possibly more business with local photography.
Here are some sites to help you jump-start your magazine career:
Mastheads provide an extensive list of magazine headers, where data such as editor and photo editor appear.
Photo Business News & Forum provides a great source of business advice and tips to help you with best practices.
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It’s already 2017, and Instagram is now 600 million users. That translates to a ton of new photography magazines, videos, and stories every day. An effervescent and very lively activity in that social network.
Next to all the personal and brand accounts and there are some magazines. Some of them are dedicated to art and photography. If your dream is to open an account on Instagram and show your photos, you should first learn notions of photography.
For today I looked for the 20 best photography magazines that you should definitely follow on Instagram if you are a lover of this art.
Noice is an online and paper publication for photographers. He has a very meticulous style when it comes to minimalism. Line, colors, and light are the key elements of your publications.
It is an online magazine based in London and with contributors from all over the world. Create a series of independent exhibitions, print publications, talks, and events.
Updated weekly with interviews, performances, studio visits, and photo reviews, it aims to bring out the best of contemporary visual arts.
Archive Collective is an online magazine and has a print publication. Both promote the talents of a global creative community. It is largely based on photography and everything is curated with very high attention to detail and aesthetics. It should definitely be on this list.
Somewhere magazine is an online lifestyle magazine based in Stockholm, Sweden. It has a focus on photography, fashion, film, travel, and design. They post both on Instagram and on their website.
This magazine has a particular focus based on contemporary landscape and conceptual photography.
It is an online magazine focused on publishing the work of emerging and established photographers around the world on Instagram through weekly articles and interviews. Fujifeed publishes photographers who work with the Fujifilm camera system.
This magazine features editorials and photographic series by artists from around the world. Emerging and well-known photographers publish, taking into account the quality of the project presented.
Edited by Magnum photographer David Alan Harvey, Burn is an evolving magazine for emerging photographers. It was launched in December 2008. New stories are posted on its website at least twice a week.
It is a collective of street photographers and an online magazine that promotes the best of street photography. His Instagram is a very good source in his particular genre.
The quarterly photography magazine and book publisher is based in New York. The magazine is a publication of the Aperture Foundation, a non-profit organization dedicated to fine art photography.
Minimo Zine is an independent platform to share contemporary visual culture. They post regularly on Instagram and recently started doing interviews with photographers from their Tumblr.
Phroom is an online exhibition space dedicated to the fine contemporary art of photography. They run on Instagram, Tumblr, and Facebook, but also on their website. They have a very different style of content curation.
Launched in 2012. It started with a one-time print publication. Then they expanded the biannual magazine distributed in 21 countries. Its aim is to share the best of photography, art, and visual culture in an accessible way.
Started in 2009 by Laurence Von Thomas, this photography blog has gone from strength to strength. They are simply one of the most attractive streams reaching more contemporary photographers on the web. If you have to follow only one magazine, this is the place.
It shows the work of both emerging and established international photographers. Contributing to writers from around the world, they have contemporary work in all genres of photography, from documentary to the landscape.
GUP (Guide to Photography Unique) has been around since 2005. And it is an internationally authoritative publication on photography. It is published four times a year through the printed premium.
Foam is a photography museum in Amsterdam, but also an international photography magazine that publishes three times a year around a specific theme. It features world-renowned and relatively unknown image-makers.
He focused on contemporary and revolving photography around themes such as nature, still life, portraits, and landscapes.
Aint-Bad publishes photographic art through print publications, monographs, and exhibitions. Founded in Savannah, Georgia, in 2011, the collection reveals an increasingly urgent and critical conversation about the human condition through thought-provoking.
Originally opened as a pop-up gallery and Open Doors (DO) seemed to foster community cohesion and a sense of pride through a program of open exhibitions and presentations.
Different artists take over his Instagram account to publish their work.
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A picture speaks more than a thousand words. The magazine cover is the most important one among all the photos displayed in the magazine. It plays one of the most significant roles in marketing your product or service. When people see your magazine cover, they will decide if they want to buy it or not. If you are looking for some creative and elegant ideas about making a perfect photo magazine cover, then you should try to read this article.
Magazine photographers are all different. They work in many ways – some with assistants, some solo, some fly to the location and others shoot on site. Some prefer to be directed by their bosses and others would rather have input themselves. Regardless of what sort of photographer you wish to become. It is important to understand how this business works to have a better idea of how to plan your own career.
The biggest thing about being a photographer is that you need to build up a portfolio of photos first and foremost. The more impressive your portfolio, the more likely it is that you will get hired for jobs. So, once you have been working as a photographer for some time, you can quit your job and become full-time.
– You might need to take photos in different locations or environments – jungle, snow, city, etc. The location may also be limited because of weather conditions (snowing, raining), limiting the type of landscapes you can shoot.
– It depends on how much creativity the photographer has to shoot something interesting.
– Often, they are assigned a specific topic or require a certain style of photography (landscape, wildlife, etc.).
– Very often, they are assigned images that others have already shot.
– Often, they are given photos that have already been taken, so it is more about re-shooting them than creating new images.
This varies between different magazines and the location of their headquarters. The pay for a photographer is generally more if they are assigned to shoot photos in an exotic location (like on an island) than if they had to go into the city. However, some magazine photographers may refuse payment or do what amounts to work for free. Because they want to have their photos seen in a magazine or find the experience rewarding. This is not recommended, though, as it will make other companies unwilling to work with you. If they know that you are willing to do something for free.
– Some photographers take the job because they want to have their photos published by a big company.
– Magazine photoshoots are usually very focused on the assigned topic or theme, which means that there isn’t as much room to be creative as other photography types.
– They usually only receive the photos that they capture and not those taken by others.
– The pay is based on how well the photographers satisfied the needs and desires of their employer, which means that they may not be able to explore or experiment with their own style and vision.
– The photographer may need to travel for the assignment, which will mean that they have real expenses to cover when working on location.
When shooting with a model in a studio or other controlled environment, they need good rapport to get great photos. Usually, this means being friendly and at the same time remaining professional.
– They usually work as a team as there is no other way to get good shots without additional help.
– The pay is based on how well the magazine photographers satisfied the needs and desires of their employer. Which means that they may not be able to explore or experiment with their own style and vision.
– They usually only receive the photos that they capture and not those taken by others.
– The photographer may need to travel for the assignment, which will mean that they have real expenses to cover when working on location.
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It was January 7, 1839, when the announcement of the birth of photography was made, and, today as then, this art still manages to arouse emotions and wonder both in those who practice it and in those who use it. Without photography, our lives would undoubtedly be poorer and our memories thinner. Over the years, like everything, photographic techniques have also changed and evolved. Very briefly, we have moved from film to digital photography, which has led to a different approach to both the photographer and the passionate amateur.
The word photography comes from Greek terms: photo, meaning light, and graphic, meaning writing. It means writing/drawing light or with light. A decidedly poetic meaning which, however, very concretely makes us understand what a photograph is.
To obtain this result, that is the photo. We must refer to the most important optical component of a camera: the lens or objective. The lens captures light bouncing off an object and turns it to the camera, transforming it into an image.
When the film was used and photography was analog, before the advent of digital cameras, the light passing through the lens “smashed” against the film, a strip of plastic covered with photosensitive grains that chemically react to light. The film, wrapped on cylindrical plastic support, is what we know as a camera roll.
The film comprises different layers and filters: film, substrate, red-sensitive layer, green-sensitive layer, yellow filter, blue-sensitive layer, UV filter, protective layer, and light-sensitive layer. In black and white films, on the other hand, there is only one photosensitive layer.
Suppose in analog cameras the light breaks against the film, in digital cameras. In that case, the film is replaced by a sensor that captures the image transforming it into an electrical signal which in turn is converted into digital by a converter located in the chip processing. All these signals are transformed into digital data conveyed and stored on the memory media.
The real difference between an analog camera and a digital camera is the presence of the film in the first and the sensor in the second. At the level of photographic technique, of notions and skills to have, not many things change.
As in all work sectors, even in the photographic sector, the factions lined up are more or less aggressive. Fans of analog photography declare that that is the real photographic art and that you cannot be said to be a real photographer if you have never used a roll of film. On the other hand, however, the digital camera offers the possibility of being able to take photos practically indefinitely, to be able to preview them, and to approach professional use even more easily.
Among the cons of analog photography, we certainly find the higher costs of creating a photoshoot. The rolls have a cost and the development process, which is reset with the digital camera. Shooting in bad light conditions can be a deterrent if you are shooting with an analog camera and shooting with a digital camera for two different reasons.
As for the first case, the photos will be taken blindly and the result is not guaranteed. As for the second case, there could be defects in the enlargement of the images if you do not use a digital camera, and above all, a lens of excellent quality. Generally, it is always the lens that determines the good quality of the photo in terms of image sharpness.
When it comes to analog and digital photography, we must be careful not to confuse the technique and technology of the two cameras with the process of digitizing the photos, which can be done with both analog and digital photos.
The scanner does just that: get a digital file from old photos, negatives, and slides. It works a bit like a photocopier, only instead of giving us a hard copy of the photo, it scans, scans, pixels and digitally recomposes the image we asked it to scan.
How many times does it happen to want to recover, duplicate, improve or give new light to old photos found in the attic and that make up the great puzzle of our life? Lots of them.
Using a slide scanner, you can obtain digital files which, if necessary, can also be post-produced to obtain higher image quality.
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Who is the photojournalist and what the difference with a photographer is: studies, training, and characteristics to become a reporter using images. The photojournalist is a professional figure born in the last century to tell reality and its meanings through images. Unlike a story written in words, in which the writer expresses an emotion or a fact with expressions mediated by his thought, in the case of the photojournalist, the transport of the author is expressed with a different, often preferred means: an image.
This is usually the starting point, passion. On the other hand, who would not want to match their passion for an activity or a sector with their work? So let’s see who the photojournalist is, what he does, and how he becomes one.
The difference is not only linguistic but lies in the essence of the profession. Photography is now considered an art form. Some photographers can capture images of memorable beauty like the great painters of history. However, a photographer tends to specialize in a particular sector in which he expresses his art and ability: photographers are specializing in the field of fashion, travel, nature, or photographers who take care of capturing every moment of an event such as weddings or conventions. But the photojournalist’s job is another: to tell an event through one or more photographic shots. It is a job that goes hand in hand with that of the journalist when it does not even match.
In the USA, there is no register of photographers or photojournalists. The only distinction, so to speak, “bureaucratic” that can be made between the two categories is that of registration in the register of journalists. A photojournalist can work independently, therefore be a so-called “freelance,” support a journalist in the field or collaborate with a newspaper to provide services consisting exclusively or mainly of photos, but what can change is his qualification. A photojournalist can therefore also be a journalist. For this reason, he is also called a photoresist. In this case, it will be necessary to follow the procedure provided by the regional professional associations for registration in the register of professionals or publicists.
To become a photojournalist, it is necessary to have mastery of the medium. Therefore, passion alone is not enough. An in-depth study of the camera and the techniques and history of the sector is essential to reach a high level of preparation.
There are specific courses to train in the profession, some with a more technical vocation on the use of the camera, on the shots, or post-production. Others are more oriented to creating a photographic reportage from a journalistic point of view oriented to the story of a fact, through images.
In addition to technical studies, it will then be necessary to test one’s attitude in the field. You don’t need to go overseas or to war zones to test your skills and skills. There is a lot to tell in each territory, even the closest ones. The important thing is to take the field and try, try, try.
The study of the lights, the search for the best shot, the elimination of the “noise” studied at the desk are very different matters when you find yourself having to capture the perfect moment, the one that tells the essence of the event. This activity is essential to define your style, “sign” the photo without putting your name. That is to make a shot unique and immediately recognizable and traceable to the hand of the photojournalist who took it.
Technique, study, and experience in the field will then be an excellent business card to apply to collaborate with a newspaper or, why not, sell your shots independently.
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There are many ways to make a photo interesting. It can be, for example, because the subject itself is photographed, but even if it has nothing special, we can also make an image catch the viewer’s attention. Probably one of the most impressive ways to create striking photographs is by resorting to contrast, a compositional device that forces viewers to ask questions.
From this need to explain (I know) what is happening, the attractiveness of images that rely on contrast arises. Let’s see how it works and how we can incorporate it into our visual narrative. When it all makes sense?
There is nothing strange in seeing within the frame two similar elements or between which it is easy to imagine a relationship. If we see a photograph in which (only) two people who share a certain trait appear, the surprise does not appear.
If instead of individuals they are the same objects: somehow we take for granted that there is a reason why they are shown to us in the same image, that they are similar may be enough, for example. That is to say: if you teach us two similar things or people, we are not going to question why you do it.
If it is about two subjects between whom there are no differences or are used to seeing simultaneously, there are no questions. We immediately proceed to assess another series of aspects of the image. But what if something doesn’t fit? What if there are two ingredients in the same photograph that we don’t expect to see at the same time, side by side?
That is precisely the contrast: in showing two elements that we do not expect to see together in the same image. From that dissonance, the questions arise. And so in that photograph in which we see two contrasting things, interest arises because we question what is happening, why do we see elements that have nothing to do with each other.
These differences can be purely visual and very evident (something big next to something small, something bright in the middle of something very dark …) or not so much (something funny next to something serious, something old next to something modern …). Still, the appeal arises from the need to explain why we see such different things within the frame.
Sometimes we will be able to explain the trick with a short story that answers our questions. But in others, unless more information is provided by other means (such as a caption, for example), the questions will remain unanswered. That image will continue to trap us, this time for a different reason: precisely because we are not finished.
It is clear that the author deliberately wanted to cause strangeness by simultaneously showing a domestic scene (the woman mowing the lawn) and a soldier in a crouched and expectant position (although, the truth is, his gesture of resignation is somewhat comical).
There you have the contrast, the starting point for us to ask ourselves, “what is happening here?”, “Is it a real situation?”
And as much as it is, the photo was taken in Northern Ireland in 1973, while the battle between the IRA and the British Army was raging. In a second reading, this image tells us that in some places, violence is something so common that people do not consider stopping doing their housework because there are soldiers hidden in the neighborhood that day. It is easy to imagine that it was not the first time.
In short: by including very different elements in our photographs that are not easy to relate to and leaving out what explains why they appear together, we can generate interest. This attraction that of contrast is born from the viewer’s need to understand, to explain what is happening so that we can show them simultaneously, side by side, two things that they did not expect to see together.
But for that, the best thing is to run away from clichés and look for pairs (or with more elements, why not) with sufficiently marked differences. So, whoever sees our images cannot help wondering what is happening in front of their eyes.
So you know, when you come across a situation that you can get us to wonder about what’s going on, take advantage of it. And leave us between questions …
Looking for the contrast? How? Is it easy for you to discover? Tell me your impressions through the comments, and share this post among your networks if you found it interesting… Thank you!
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They gave you a camera but you don’t know where to start? Are you undecided whether or not to buy a camera because you are afraid that you don’t like taking pictures?
There is no problem, let’s see together the 5 tips to start this fantastic adventure in the world of photography in the best way, I am convinced that at the end of this article you will be more charged than ever, LET’S GO!
You will hear this a million times: it is NOT the camera that takes the picture but it is you! You don’t need to buy the latest model of mirrorless or reflex camera or an advanced super compact, you just need a simple and small automatic machine or even a mobile phone.
Yes ok, with a reflex camera or a serious and expensive camera you can take pictures even in precarious light conditions and the quality of the shots will certainly be exceptional but there will be time for this, now you are at the beginning and it will certainly be enough to start with a very simple compact camera or an entry-level SLR.
Although most of the time you will be shooting in automatic mode, it is essential that you learn the basics of photography.
It’s not as complex as it sounds but you need to know what depth of field, exposure time, ISO sensitivity, and aperture are. These are fundamental basics that you will need later when you start getting used to your camera and start getting serious.
You do not necessarily need to enroll in a photography course to learn these basics, you are lucky to have the internet and you can find these notions anywhere by learning them quietly sitting on your sofa!
If you want, you can take our completely FREE online digital photography course by clicking on this link. I hope the course is useful to you and can lead you to get wonderful shots.
Take some time to read your camera manual from start to finish. The object you are holding is full of buttons, dials, and menus with many icons. It is essential to know how to best use your camera and to know what the keys in front of you are for.
It has happened to me dozens of times to find myself in the right place at the right time but ….. to have nothing to take a picture, if not an automatic smartphone.
Know that it will often happen to you too, for this reason always goes out of the house (as much as possible) with your beloved camera.
I think this is a very important piece of advice. You have to learn to look with the “eyes of a photographer” and no longer with your own eyes.
If you are wondering what it means to “look through the eyes of a photographer” know that it is not easy and it will take time but when your eye is trained you will notice things that you would NEVER have taken into consideration before.
Look around you calmly and curiously, the world is chock full of inspirations. You don’t have to go far from home to find inspiration, just go out and look around. Do it with a critical eye and ask yourself how you would photograph that object or that building, turn it around 360 degrees and you will see that you will find the right point to immortalize it.
The image you see below was taken in Livorno on the wonderful Mascagni terrace. After having photographed it from all angles I was not satisfied and so I came across a particular street lamp. I started walking around it to find the right angle and eventually I got this shot.
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Here is a series of tips for making travel photographs that leave their mark. Find out how professionals approach this increasingly popular and sought-after photographic genre.
It is useless to deny it, travel photography is a much loved photographic genre. In recent years it has been enjoying growing success, as demonstrated by the increasing number of Instagram profiles dedicated exclusively to travel photography. At the same time, we are witnessing a renewal of this particular photographic genre, as photographers are no longer limited to simply photographing landscapes (whether natural or urban) to tell the places.
Instead, there is a renewed interest in telling stories, cultures, habits, inserting details or people in the context to reinforce concepts and communicate lifestyles.
Not just personal photos to add to your portfolio or social profile, but professional photos designed for communication and advertising. Yes, in fact, even companies are constantly looking for travel photographs. Photographs that tell stories and are inspirational, to promote their products/services around the world. Here, travel photography also becomes a profit opportunity that should not be underestimated.
Identifying the places even before leaving is the best way to arrive prepared at your destination and photograph memorable moments and places. Certainly, when you visit a famous place such as a city or a natural attraction, you will know the points to visit, the ones that make it recognizable. But the more hidden ones? A great way to know your destination in advance is certainly Google.
Just do a search to find a lot of material about it or use services like Google Earth that allow you to explore the places you prefer.
Another very interesting system is to do a search on Instagram by typing hashtags related to the place you are about to visit. This allows you, not only to find ideas and inspiration but also to understand the best shooting points and new compositional ideas. You will not have to copy the work of other photographers, be creative and you will certainly get an excellent result.
Whether you are a professional photographer or a simple enthusiast, if you photograph clearly recognizable people and you do not have a release, the use of your photographs will be severely limited. It is therefore good to be ready for anything by bringing copies with you to be signed by any improvised models. If you prefer, you can also make digital copies saved on your smartphone with you. Remember that if you intend to sell your photographs or use them to promote yourself, a release is a prerequisite, not only for people but also for properties.
This is an important moment. What to put in the photo backpack? what to bring with you so as not to find yourself unprepared for good opportunities? Apart from the obvious, one important thing is to have a good supply of batteries or a good Powerbank.
If you spend whole days out taking pictures, you may not have time and time to recharge your batteries. If you plan to shoot early in the morning or in the evening at sunset you will need a tripod, which is essential in cases of low light. Another thing not to forget is to empty all memory cards or consider buying new ones if you don’t have enough.
Being out and about photographing you will often find yourself changing lenses, constantly handling the camera in traffic or surrounded by nature. You may end up with a dirty sensor or lenses. That’s why even a cleaning kit is one of those accessories that cannot be missing in your photographic backpack.
Your photographs have the unique ability to tell stories about people and places. The first thing you need to do is get in tune with the place you are visiting. Get to know people, interact, get carried away by local events. The human component is what allows a photograph to tell rather than describe. This is the basis for travel photography.
Imagine walking into a local market. Capture as much detail as possible and take wide-angle photos of the streets, capture people on the move daily (with permission of course) and even the smallest details. Try to give continuity to your production. Only in this way will the creation of a story through your images be truly effective. Not only that, it’s a great way to fully experience a destination.
Regardless of the destination, you have chosen for your next photographic adventure, there are better times than others to photograph. Getting up early in the morning can help you take better photographs. First, you can take advantage of the wonderful morning light. Another advantage you will have is being able to reach and photograph the most popular tourist spots, at a time when there is still none.
If you are unlucky and find people even early in the morning. You can try to remove them from the scene by taking a long exposure. Using a photographic tripod and if necessary an ND filter, to further stretch the exposure beyond 10 seconds, you can make the movement of people make them invisible in the frame (of course we are talking about a few people and no crowds).
A great choice is also to wait for the sunset. Or the blue hour to take very impressive photographs during your travels. For photos in these particular moments, I recommend careful planning. The perfect light lasts a few minutes and you risk missing the moment if you are not prepared. But if you want to get great quality results, when there is little light, you will need to use good quality equipment.
A great way to document local culture is to research and photograph typical local food and drink. Telling stories about the traditional food of the place can be fascinating and satisfying. A typical subject could be street food which can tell a lot about the history and traditions of a place.
Shoot food preparation scenes and moments of sharing, which are the most communicative and emotional ones. Even the details of the food placed on the counters or on a table can be excellent ideas for the creation of photographs that can give continuity to a photographic report.
Smartphones have narrowed and simplified the relationship with many activities that, thanks to technology, have become more accessible on all levels. One of them is photography. We tell you how to take good photos with your cell phone and turn your smartphone into a true artistic tool.
It is one of the functionalities that phone manufacturers take care of the most because they know that the user values it. In this virtuous competition between brands, the level of mobile phone cameras has reached such a point of sophistication that it competes with the best examples of compact cameras. But the device is not everything: there are many things to consider so that the photos are better and better. We leave you some tips and recommendations to surprise you with real postcards.
First of all, you have to know in-depth your cell phone’s camera’s characteristics to get the most out of it. Know what functions it has and what possibilities it offers in terms of focus or light conditions. Most touchscreen smartphones allow you to make modifications directly to the area you want to focus on.
Although the photographer’s eye, his patience, and his inspiration are the decisive factor, there are technical issues that we cannot ignore. The great idea is to find a good application to take photos and have it as an ally when you want a special image.
Of course, the application that comes with the phone by default is very useful, but we can also install other software that goes better with your photographing. A simple search in your smartphone’s app store will help you. You can go testing which one is best for you.
It seems too obvious, but we don’t always do it. Keep in mind that professional photographers cover the lens after each photo. And we, on the other hand, keep the cell phone in our pocket, where it runs the risk of getting dirty, greasy, and, in this way, ruining the next photo we take.
Don’t forget that every detail counts. So get into this simple but effective practice as a habit. With any soft cotton fabric, press gently to avoid scratching the lens.
An aspect that highlights the beauty of a photograph is given by something that is not seen: the composition. Composing the painting is one of the most relevant characteristics when evaluating a photo, although no one realizes why. In most cell phone models, you can activate the framing grid that divides the screen into 9 imaginary parts. This serves to understand where to position the object, detail the landscape or person you want to highlight.
If you are going to photograph the landscape, for example, it is recommended that the horizon line is always parallel to the frame’s horizontal lines. On the other hand, if you are going to take a portrait, it is convenient that the person is displaced towards one side to give air to the composition. Some think that the object that one seeks to highlight should be located in the upper third of the frame. But everyone has their preferences, so it is best to try with what type of frame you feel most comfortable with.
Photography is possible thanks to light. In other words, it is the factor that will most determine the result obtained. Take advantage of the best moments of the day and always try to stand with your back in the sunlight so that the image is not too bright.
On clear and bright days, you can get a lot of contrast between lights and shadows, especially during the day’s central hours: this can become an interesting resource to strengthen objects or people you want to portray. See if your camera can maintain a relatively balanced balance between lights and make the most of it.
To improve lighting and contrasts, on many phones, you can hold down the screen for a moment and you will see that the icon of a “sun” will appear. From there, you can go up or down the exposure, which will allow you to correct the image so that the light is impeccable.
If you are going to photograph people or things in motion, it will be very useful to use your camera’s “burst shooting” mode. This will allow you to take all the photos you want and then choose which one is the best.
Many times, when we do not know what to specialize in photography, we get lost in the variety of photography approaches that exist, especially when we are looking for a course to study.
For this reason, we bring you a list of some different types of photography and personality characteristics that we associate with that specific type!
In Product Photography, it is necessary to have the ability to make objects speak, give them a personality and the importance they deserve. For this, a knowledge of lighting, composition, color palettes, and trends is essential.
In order to achieve all this, you must be A PATIENT PERSON, learn to control every detail, and understand a little physics.
Portrait photography is the search to capture each emotion, event, situation, or environment of an individual. Its purpose is to show the personality, the memory of a moment, or the physical or psychological identification of a person or group.
You have to like to talk to people, learn to direct them, and find beauty everywhere and in all people!
You must be prepared to take photos in all kinds of places, with all kinds of lighting.
We also recommend that you
also have a tripod that is resistant but that you can bring to all classes. The tripod must also be in good condition.
Photography dedicated to capturing the beauty of the world around us, capturing the ephemeral of the landscape and the static. Most nature photographers manage to show the sublime of our planet. With a great physical condition, knowledge of development in the field, and adverse situations.
The taste for NATURE is essential, accompanied by PATIENCE AND TENACITY, they are just some of the characteristics that should accompany you if you want to take this type of photography.
Being responsible for capturing the best moments of a social event is one of the most stressful situations for any photographer. The mixture of food photography, portraiture, directing people, makeup, and above all having the attitude of being willing to enjoy the good memories of a family. The social photographer is another member of the family for that day and as such must be able to be included in all situations!
A taste for MUSIC, celebration, and a great appreciation for family values is what makes a great social photographer!
The search to disturb, revolutionize, or communicate what we think or feel in a single image is the basis of all artistic photography. They are usually criticisms or introspections of human emotions or situations.
Risking to tell a story, to bare the soul in front of others. To cause controversy is a very common attitude of those who want to make art with their images.
The Artistic Photographer is willing to EXPRESS HIMSELF, to release his emotions, thoughts, and ideas, no matter what others think. THEY MUST BE ABLE TO ACCEPT THE CRITICISM and be in the judging gaze of all.
Also called photojournalism, it is the recording of news or events. Telling stories with images and showing the world the reality of a country or city. In photojournalism, there is no editing of images, a development of the same but never an edition that modifies reality.
The quality of SINCERITY and the desire to SHOW IT to the world are the two main characteristics of photojournalists. RISKY and excellent at controlling all kinds of outdoor lighting situations.
Fashion Photography is a mixture of artistic and commercial photography, wherewith these bases it is sought to show trends, aesthetics. And the concept of an entire brand in one or more images. It has many branches such as eCommerce photography, campaign, editorial, beauty, among others.
It is essential in fashion photography, TEAMWORK, sharing ideas and concepts with others.
How to make money with photos online? I invite you to read this article to discover the best sites to sell photos. Are you creative and do you like photography? If you don’t know yet, selling pictures online is one of the ways to make money on the internet. Currently, the sale of photos has become a real online business, and to better understand, I will give you an example:
The job of a professional photographer requires that a person be present at a specific location to do a shoot. And then, to make photo prints to earn a living. As soon as he stops working (at night for example or in the event of illness), he no longer earns money. Now imagine for just a moment you put your photos online and are available 24h / 24 and 7 / 7d! New customers who have access to your creations every day, every week, and every month, whether you are connected or not. It’s huge, isn’t it? Precisely, it is a very original way to earn passive income from your passion.
Besides being creative, the idea of selling your photos online is quite lucrative. It is a great way to have passive income. And I’ll explain why:
You upload a photo ONLY once and you sell it unlimited !!! You can even get started right away by monetizing any photos you’ve ever taken before. And honestly, selling photos on the internet creates regular additional income.
First of all know that nowadays, selling an image on the internet has become child’s play. Moreover, image banks are increasingly making the download process easier. Suddenly in just a few clicks, you drag and drop your photos and you are already ready to have cash flow.
And overall, the unit price of a quality photo can easily reach $ 5 or $ 10, or even more. However, the selling price of a photo varies from one image bank to another.
You sell your photos on the image bank and once you reach a payment threshold, you get your money back. But the most important aspect is that you have copyright in every photo. Because if you are not the owner of the photos sold, you risk getting into serious trouble.
As a general rule, not all photos are accepted on the image banks because they require certain fairly precise criteria such as:
– Take professional-quality photos (in high definition).
– No photo editing with creation software.
– Avoid retouching images (no photo effects or image processing).
And now, here is a comparison of some well-paying sites that sell images online. But beware: The classification is quite simply in alphabetical order. That is to say that the first in the ranking is not necessarily the best of the top 3 or vice versa.
Adobe Stock is an international image bank belonging to the Adobe group which owns numerous software and applications (adobe photoshop, adobe illustrator, adobe reader, etc.).
Adobe Stock has a huge database and not only offers photos, but also HD or 4K videos, templates, 3D files, and models, etc. The site claims to date millions of photos available, in all fields and all sectors of activity (Architecture, technology, gastronomy, portrait, images of models, lifestyle, beauty, business, fashion, cultural diversity, etc. ….).
With Adobe Stock, you can sell your own photos which give you another source of income. Among the advantages of Adobe Stock is that the more images you sell, the more your commissions increase. And one of the downsides is that the site doesn’t have a referral system. That is to say that you do not earn money if you invite your relatives to join the site.
To learn more about this image bank, I invite you to read my article on Adobe Stock.
Shutterstock contributor is a marketplace in which amateur and professional photographers, artists, and content creators can sell their own creations (photos, illustrations, videos, vector images, etc…). This international marketplace belongs to the American site Shutterstock which is one of the largest content banks in the world (more than 250 million files available for purchase).
Among these advantages is the fact that the site is very easy to use. And the main downside is the stiff competition as there are many professional photographers on this site.
To learn more about this image bank, I invite you to read my article on Shutterstock.
Getty Images is an American image bank that has existed since 1995. This site is considered the world leader in the sale of images online. To date, the community of Getty images contributors has more than 200,000 members. The site also has more than 1.5 million customers in more than 200 countries.
To learn more about this microstock, you can visit the Getty Images website.
You read it right! By creating a sales site for your photos, you preserve the exclusivity of your own artistic products. And as you well know, a personalized photo is sold more expensive than a classic photo.
Certainly having a site is ideal for selling art photos. But if you emphasize web design, the pages on your site can compete with the larger photo galleries. Having said that, creating your own site that bears your name is a trick that requires an initial investment but can pay off well.
Selling photos online is a great way to maximize your free time and improve your personal finances. If you are an amateur photographer, you can easily earn a little money or something to supplement your ends of the month but nothing more. All you need to do to get paid for your photos is have the inspiration to take great photos. Also, you will always find magnificent places or events to photograph (sunset or sunrise, birds, flowers, etc.). And from the moment you have the copyright, each photo becomes a real source of passive income. Quite simply, because you can resell it as many times as you want.
Sometimes you don’t know what to give a photographer, because you don’t know anything about photography and you don’t want him to have to change the gift, or worse still, that it isn’t useful. This is a list of gifts, and tips for buying them.
It is advisable to buy from the SanDisk or Kingston brand, they are the most recognized. We also recommend that instead of buying a 32GB memory, you can buy 2 of 16GB. You will appreciate it more, and they ARE TWO GIFTS IN ONE, without spending too much.
Not all photographers use it, it is more for photographers of objects, products, spaces, nature. And there are tripods for every use. Check that it is a sturdy tripod, that the legs have rubber coverage, and can also adhere well to different surfaces. Most come with their own case.
Not all photographers like to change their straps, but most like to have a custom strap. You will easily choose the design, but you must make sure it is adjustable and of a good brand. It is the support of our camera; we do not want it to fall.
It is the least we photographers spend money on, or we only remember that we need it when it is too late. It is a practical and inexpensive gift. And you will always be welcome.
For true photography lovers, a good book from a photographer in our area, or the collection of images from various photographers is a treasure, we will be inspired and we will always remember whoever gives us that beautiful gift.
Many of us already have a bag for our digital camera, but for some occasions that bag is either very large or very small, it is very useful to have a second option. Having a large bag and a small one gives us flexibility for all situations.
As we already told you, it is important to know if you use a Nikon, Canon, Sony camera or the brand you use, as well as the exact reference. We will always need batteries. At least we should have two.
If you see that you are interested in lighting, a good Speedlight or flash will be an excellent gift, we recommend that it be from the original camera brand or the YOGNUO brand is relatively new, but it works very well with all references.
Learning is an innate desire of all photographers, we already have our equipment, now we want a photography course where we can learn to use it, or improve lighting techniques or digital retouching. For this, you need to know what type of photography he likes to do and thus be able to find the right place for him/her. Each school has its specialty and focus.
Therefore, here we gather the best tips to be a good photographer. Being a good photographer requires more than knowing the best techniques to take the best photographs or having the best equipment, it is something that has more to do with your personality and your actions.
It has to do with your attitude, the ability to observe, and what you are capable of transmitting with your photo, that is, what you communicate with your photos. Here are the keys to being a good photographer:
Being attentive to your surroundings and knowing how to react is key to taking the best-improvised photos, especially when it comes to street photography or nature.
It is also good to keep an eye on artistic trends and follow other photographers for knowledge and other perspectives.
A good photographer sees beyond what is in the scene at the moment and is curious about what might happen next or about positioning himself from other perspectives: different directions, angles, compositions. He is also curious to learn, to explore new places, and to try different equipment.
There are incredible photos taken with your mobile, so whatever equipment you have, be it a mobile phone or a reflex camera, it is essential that you know how to master it.
If you are new and have an SLR camera, read the manual carefully before starting to take photos and start by applying the basics.
That is, if you suddenly have a unique moment to take a photo, you will quickly know how to take it or how to change the settings you need.
A good photographer is someone who is passionate about what he does, capable of enduring hours and hours for a good photograph. That passion gives you the persistence you need to take some photos that require patience.
A good photographer is someone who communicates with his photography, who tells a story, who moves, and who can even tell what he feels with the image. Why you can have the perfect photo but if it doesn’t convey anything, it will go unnoticed. The key is to tell a story to your audience and know how to tell it with the image, how to convey it.
What type of photography do you like the most and what is your style? Surely you know photographers with a very own style that you immediately identify. That is something that allows you to differentiate yourself and become a good photographer since you will tend to improve in that area. Be true to yourself. Don’t be afraid to express yourself, try, fail, repeat, and always transmit from your style.
If you are reading this, I imagine you like photography, so enjoy shooting! Do not be overwhelmed with what you have to learn, enjoy the moment of photographing, those unique and unrepeatable moments. That is essential to be a good photographer.
Many of us are portrait photographers at some point. It is difficult for you to like photography and not end up “falling” into portrait photography at some point along the way.
Because capturing the essence of a person in an image has something fascinating, which hooks almost everyone who tries. Today I would like you to be inspired by this selection of portrait photographers that I have prepared for you.
You will find different styles, periods, and techniques, but they all have a common denominator: they are impressive, essential, and unmissable. Would you like to see them? Let’s go with today’s inspiration shoot.
I’m going to start with the social network of the moment as far as photography is concerned. Like it or not, Instagram is one of the fashionable social networks and a great platform to find inspiration for any photography lover.
As you will surely have an account, I recommend that you open your eyes wide and enjoy being inspired by these portrait photographers of today, you will see that there is something for all tastes and colors.
The GREAT Peter Lindbergh, unfortunately, died only a few months ago, but he is a world leader in portrait and fashion photography. He photographed virtually every person of relevance in the world of fashion and acting for decades. His work is well worth taking a look at.
Another great reference when it comes to portraits and fashion is Richard Avedon, a classic among the classics that you can follow through his foundation. You will see how much we have to learn from the greats.
Another portrait photographer who needs no introduction. Annie Leibovitz, originally from Connecticut in the US, is the creator of some of the most iconic images of our time. He has portrayed John Lennon and Yoko Onno, Andy Warhol, the Rolling Stones, Muhammad Ali, Dalí, Obama, and countless personalities of all kinds. He has worked for Rolling Stone, Vanity Fair, or Vogue magazine and has received countless awards in his long career.
Marco Grob is one of today’s most deserving portrait photographers. This Swiss photographer based in New York has photographed Barack Obama, George Bush, Leonardo Di Caprio, Sandra Bullock, Elton John, Lady Gaga, and a very long, etc., both of political personalities and the world of acting, fashion, music, etc. He has worked for countless publications, including Vogue, Vanity Fair, Time, or The New York Times.
This portrait photographer specializes in women, whom she portraits praising their beauty, in photographs full of sweetness and with truly spectacular staging and lighting technique. I recommend that you take a look at his Instagram.
Another one of the portrait photographers who probably doesn’t need too much introduction;). Steve McCurry is one of those photographers who already in life are a true classic and a world reference.
He is the photographer of the emblematic image of the Afghan girl who starred in National Geographic magazine many years ago and who left us speechless. But, also, he is the creator of many legendary images.
Of all of them stand out his ability to compose, his mastery of color, and to capture and narrate the stories he collects traveling around the planet.
Mario Testino is a well-known Peruvian photographer, a world reference in portrait and fashion photography. He has photographed celebrities such as Princess Diana, Claudia Schiffer, Madonna, Scarlett Johansson, Brad Pitt, Jude Law, Mike Jagger, and an endless list.
He has worked for magazines like Vogue, Vanity Fair, Harper’s Bazaar, etc. You just have to take a look at his Instagram to see why he is one of the best contemporary portrait photographers today.
This portrait photographer is very active on Instagram and is well worth following. He is mainly dedicated to fashion editorials for children’s brands such as Bobo Choses, Zara, Milk Magazine, or Vogue. His portraits are full of feeling and you can find them both in black and white and in color. You will see that his freshness, his editing, and staging work are excellent.
Before continuing, a quick thing that might interest you: we have just launched PHOTOGRAPHY WITHOUT LEAVING HOME, a new digital format with which we put at your disposal 101 photography exercises that you can practice from the comfort of your home. Now that we are in lockdown and with this situation a little weird, you might want to take a look at it.
The portrait photographer Eric Lafforgue offers us a window to the world through a warm and friendly look towards the people who inhabit it. Eric Lafforgue has traveled to every corner of the world to offer us some breathtaking portraits.
He has worked for magazines such as National Geographic, Der Spiegel, Le Monde, Lonely Planet, Times, or Grands Reportages.
Without a doubt, she is one of the greatest fashion photographers. His photos are always groundbreaking, with a sexy and daring style that has won the admiration of the best fashion magazines for years.
He has portrayed the most sought-after models and artists on the planet, including Claudia Schiffer, Eva Mendes, Madonna, Dita von Teese, Kate Moss, Eva Green, Christina Aguilera, and Monica Belluci.
She is considered by Time magazine as one of the 100 most influential people in the world of fashion.
Lee Jeffries is a photographer specializing in portraits of the homeless, with a raw style, with super-contrasting and sharp black and white close-ups, he takes us on a drive through a world often invisible.
This photographer alternates her stays between Barcelona and Mexico. His portraits are heterogeneous and very artistic. He usually mixes black and white, color, and many styles, but always with an intimate tone, full of sensitivity and a very personal style.
Cristina García Rodero is a photographer whose work I always recommend knowing. Because his photographic career is unique and amazing, and his portraits are marvelous, of fascinating sensitivity, strength, and beauty.
He has a professional career full of awards and recognitions, including in World Press Photo, the Planeta Prize, the Godó Prize for photojournalism, the National Photography Prize, or the gold medal for merit in fine arts, among many others.
She has also been the first woman named Doctor Honoris Causa by the University of La Mancha, or the first Spanish person to be part of the prestigious Magnum agency.
Another photographer that we will not tire of recommending and that probably does not need an introduction is Sebastião Salgado. Born in Brazil, he has traveled the world, portraying everything from conflicts to natural landscapes. His portraits are of beauty difficult to match, moving, and full of sensitivity.
He has published numerous books, including Genesis, Migrations, Workers, Africa, etc. and received numerous awards such as the World Press Photo, the Eugene Smith Award, the Prix de la Ville de Paris, he has been Photographer of the Year Award by the American Society of Magazine Photography, USA, etc.
Sally Mann is one of the most renowned and internationally acclaimed American photographers for her unique style, her experimentation techniques, or her ability to transmit through her images.
Among other works, one of the first was to portray the childhood of his children in a direct, crude and without taboos, which gave rise to his book ” Immediate family “, a tribute to free childhood that received both praise and criticism from the most conservative sectors.
She is considered one of the best photographers of today, has been considered the best photographer in America by Time magazine, has been a finalist for the National Book Award, and even nominated for an Emmy Award in 2008.
Hi apprentice photographers, in this article, I’m going to give you lots of little tips to learn how to take beautiful portraits.
Personally, I don’t consider myself a portrait photographer, because my core business is more reporting. But hey, when we do reports on people, obviously we still do a lot of portraits. So I wanted to give you several tips to progress in portraiture and dare to get started!
Small precaution of use before starting, I give her advice which is far from being absolute rules. They are there to help you start portraiture and improve your images, but you might as well transgress them and imagine something else, that’s called being creative. But I still advise applying these few tips when you start, to learn and not to get too frustrated. Once you have mastered the subject and are comfortable with portrait photography, you can try to be a little crazier!
We will start first with a few small technical points, then we will talk about composition, shooting, and relationship with the model. But the criteria are not ranked in order of importance, it’s just the order in which they came to mind.
The eyes in the portrait are the most important. Imagine talking to a friend, you look him in the eye right? In photos it’s the same, you want your model’s eyes to be the first thing you see, what you pay the most attention to. And the easiest way to focus the viewer’s attention is to use sharpness. So we focus on the eyes. If you are skeptical, quickly experience it for yourself. Have your partner or little brother pose for you for a little while and take the same wide-aperture shot twice, one with the focus on the eyes, and the other with the focus on the eye. nose. Compare the results, then which one looks weird ?!
Be careful, the eyes are not the glasses, eh, they are the eyes. Otherwise, you risk having funny results where the glasses are sharp but not the eyes.
What if the two eyes are not the same distance? In this case, I usually focus on the eye closest to me.
Choosing the right focal length is important because different focal lengths will have a very different perspective in terms of perspective. A very long focal length will crush the perspectives, while a short focal length will accentuate the perspective to the extreme, often causing distortions that are not very aesthetic … Technically, it is not the focal length that causes these differences but the distance at which we will use the model to have an equivalent framing, but let’s skip this little technical detail because the result is there. Look at this gif which illustrates the differences in rendering according to the focal lengths.
For portraiture, we will favor fairly long focal lengths, from 50 and above, such as 85mm. Personally, I use a 75 equivalent and I really like the rendering. These relatively standard focal lengths and small televisions make it possible to have a rendering that is both devoid of excessive distortions and at the same time quite close to what the human eye renders. So I advise you to start with a focal length between 50 and 85mm, in full-frame equivalent.
When we do a portrait, the subject of the photo is all found, it is the model. We, therefore, want to focus the viewer’s attention on this model and not on the rest of the photo. A good way to focus attention is to keep the model in focus while the rest of the image is out of focus. For that, we need a shallow depth of field, and therefore an opening as large as possible.
As seen in the background blur video, there are other settings that will influence the depth of field. You will have to get closer to your subject, move it away from the background, and use a relatively long focal length, we’ll come back to it… If this point is not completely clear to you.
Just because your image is a portrait doesn’t mean you just have to make a completely centered close-up. So yes if the portrait is beautiful it is good, but if it is both beautiful AND well composed, this is where you will create extraordinary images!
In portrait as elsewhere, the composition is there to help you tell a story with your image. A tight shot is going to be all about the person. A larger shot will give context by integrating the model into a setting and tell a story that can be completely different. The choice of plan will therefore be very important.
Do not hesitate to use all the rules of compositions that you know to adapt them to the portrait. The rule of thirds can be used to place the eyes, you can use the lines to draw attention to such or such part of the body… Take the time to take care of your composition, it can never hurt!
In a portrait, the main subject, a human being, attracts all the attention. And the rest of the photo is often slightly or even completely blurry. So we sometimes tend to neglect the background. This is a common mistake for all types of photos, for the portrait photo as for the rest.
But the entire photo matters. Even blurry, a bright spot will attract attention and distract it from the model. If we photograph a super classy model in front of a landfill (eh OSS 117!), It will inevitably be messy.
We often tend to think that the sun is a photographer’s best friend, and that’s often wrong! When it comes to portrait photography, the sun is a real problem, at least during the day. Sunlight is a very harsh light, which will therefore provide very strong shadows. Also, this light comes from above, and we cannot direct it. The result is very pronounced and very unsightly shadows on the face. If the sun is really strong, the browbones will create a strong shadow on the eyes which will be completely in the dark. It’s really not pretty, to say the least …
The solution is to avoid direct sunlight. When I do portraits and the weather is fine, especially in wedding reporting, I manage to place my subjects on the edge of shadow (i.e. in the shade, but at the limit with the light) if possible. This way I have a uniform light on their face, but I can still have the background well lit by the bright sun. I know this story of doing portraits in the shade might sound counterintuitive, but go and experience it for yourself and I’m sure you’ll be convinced immediately!
In front of a portrait photo, the viewer’s eye has a natural tendency to follow the direction of the model’s gaze. This is why we recommend leaving room for the gaze. Clearly, you need to frame your model so that it looks on the side of the photo where there is the most space. Otherwise, we have the impression that the model is looking out of the frame towards something that we do not see that does not concern us. In some cases, it can serve as the intention of the photo, but most of the time it will just give the photo a bit of a weird vibe… So avoid if possible.
Never cut your chin. Never, it’s ugly! That’s all, I can’t explain everything either! Strangely, for a very tight portrait, you can easily cut the forehead, but cutting the chin really doesn’t work… Ok ?!
With rare exceptions, the portrait lends itself poorly to symmetry. The human body is already symmetrical, placing it in a symmetrical environment will create a kind of feeling of immobility, stability, strength. If this is an effect that can be sought for the male portrait, when you take a picture of a woman, you tend to show softness. In general eh .. you are free to want to show something else!
We, therefore, avoid composing portraits that are too symmetrical, on several levels. Composition, the position of the model, you have to pay attention to everything. We ask his / her model not to have both shoulders completely facing the camera, we tilt our head a little, if it is a full-length portrait we can for example cross our legs, we put one hand in the pocket. The examples are extremely numerous. Remember that oblique lines bring dynamism to your image! So break the symmetry for more lively portraits.
A portrait doesn’t have to be static. Yet we all get a little the image of posed portrait, even passport-type photos. But who said the portrait had to be still? Race your models, spin them around, make them laugh, and catch it all on the fly! Expressions in the movement are often much more natural, and the photo gives off a lot more energy!
This is arguably the most important tip of all, so much so that he deserves a full video on his own! It is essential to establish contact with the model. Especially if it’s someone you don’t know – there’s always some sort of invisible bubble that you surround yourself with when you meet someone. Well, your first job as a portrait photographer is to shatter this bubble. Not with an ax, it might make your model run away, rather trying to make a connection, chatting, making jokes. The point is really to make the model feel comfortable and confident with you.
If not, chances are it will show in the final photos. A tight and uncomfortable smile will always be much less aesthetic than a burst of laughter!
It was the most difficult for me when I started portrait photography. It requires really giving your personality because it’s up to the photographer to make the connection and not the model. Sometimes it’s a bit long, but it’s worth giving yourself a bit for more authentic images. And obviously more beautiful …
The portrait lends itself particularly well to black and white. Black and white have this tendency to bring out textures and highlight contrasts. Nothing better than to bring out the texture of the skin, to highlight a little pale skin or dark hair, etc. Portrait photography is (in theory) quite simple, the idea is to show a person in pictures. Black and white reduces distractions due to color and makes the viewer focus even more on the model. I don’t have much else to say on this point except … go for it!
One of my favorite portraits of Pauline contradicts half of these rules: It is centered, the eyes are closed… in short, it is not a classic portrait but yet I love it. Always remember that photography is a creative area that you can’t really put rules on. If we talk about rules, they are more aids to composition than anything else… Lean on them to learn, and choose to ignore them as soon as you are in the mood.
Below you will find some curious facts about photography and the world of fashion, which may surprise and perhaps you can learn from every bit of the history that we build every day.
Apple Quicktake100 was the name of the first camera, and it became a line of digital cameras that Apple began to develop in 1992, going on sale in 1994. For 3 years, Apple released two more models, the Apple Quicktake 150, made by Kodak, and the Apple Quicktake 200, by Fujifilm. They wanted to make a simple and easy-to-use camera, added to the novelty of not being necessary to use negatives.
These cameras were not successful in the market, and in 1997, when Steve Jobs returned to the company, their production was canceled.
A mix of Nikon and Canon is difficult to understand, but it is something that we can learn from the Orientals. Where in this case they built the first camera highlighting the forts of the time in body and optics.
Sporty is in trend, and it is also one of the most contemporary styles, where its invention and use did not appear until the beginning of the century. Whatever its shape, sportswear continues to seek to highlight the human figure, while being able to form thanks to exercising.
The crocodile was designed by the plastic artist Robert George in 1927. and its constant use in the brand began in 1933. The crocodile is known as the ” green Gigi caiman ” or the ” Charles crocodile “, and has been present in almost all its products since its inception.
In the beginning, fashion photography was not for commercial purposes. The big houses took photographs of the models with their designs to keep a record of the pieces that were being made. The first case of commercial photography to publicize the new designs of a fashion firm was published in 1892 in the magazine “La mode pratique”.
The photographer Ansel Adams, known for founding the group F64, and also taking tours of Yosemite Park in the United States, devoted all his physical effort and his knowledge to achieve a single image. Let’s learn to give value to our work!
The first Photoshop was created exclusively for Macintosh users and had tools inspired by the analog laboratories. And the development processes that photographers were already using. Invented in 1990, when there was already a process of digitizing analog images and digital photography already existed.
A man invented the bra clasp. Mark Twain, the writer of The Adventures of Huckleberry Finn, is the owner of the patent for the brooch that allows virtually every woman in the world to wear their bra.
Many of us have this image as a screen image, and we prefer not to change it. And it looks almost like a drawing, but it is a 1966 photograph of a Californian landscape!
Anna Wintour in her first cover of the American edition of Voge forced Michaela Bercu. The model was chosen for the occasion, to wear a Jean since the model had gained weight. For this decision, the Editor-in-chief shocks the world of fashion.
Photography is called a technique and an art form that consists of capturing images using light, projecting them, and fixing them in the form of images on a sensitive medium (physical or digital).
Niepce obtained the first photographs by exposing metal plates to sunlight. That is why he called the procedure used heliography, from the Greek helios (“sun”) and spelling (“writing” or “drawing”). We owe the definitive name of photography to Sir John FW Herschel, who coined the term in 1839. However, today we only need a few seconds and a camera to get the snapshot.
It was published in London between 1844 and 1846, in six installments. Its author, Henry Fox Talbot, announced on its pages “the beginning of a new art” and showed its potential applications in science and technology.
Pinkerton, who after moving to the United States became the first detective in Chicago, put criminal photography into practice to recognize criminals, a discipline that would later be called judicial photography and is now known as forensic photography. Its objective is to show in detail what escapes visual inspection.
It was a very handy camera, marketed by the Eastman Kodak Company, which was sold in 1888 loaded with a 100-photo roll and ready to use. Once used, it was sent to the Kodak house, which extracted the film, developed the photos. And returned them together with the newly loaded camera. With its arrival on the market, the use of photography spread to the entire population. Today, the brand itself has launched printers that allow you to obtain your own photographs at home.
That was the conclusion of a study conducted in 2002 by the University of Birmingham, UK. The researchers also found that the motif is chosen by “child photographers” evolves with age. Thus, four-year-olds choose to photograph emotional elements, such as their parents, or visually stimulating images with bright colors. From the age of eleven, there is a tendency to take images of open and natural spaces, looking for “aesthetically attractive” elements. And when they reach adolescence, photography becomes one more social activity that helps them connect with friends.
This natural tar, known since ancient times, was originally obtained from the surface of the Dead Sea. Where it continually emerges from the bottom. In the nineteenth century, it began to also be extracted from bituminous rocks. It was traditionally used for embalming Egyptian mummies, for caulking ships, or for leveling in Babylon. And Joseph Niépce found that among its many properties there was also sensitivity to light. Indeed, bitumen hardens and bleaches when it receives light, although it requires many hours of exposure. That is why the first photograph in history had to remain exposed to the sun for 8 hours.
When the Spanish Civil War broke out, he moved to our country, becoming a direct witness of the war from the Republican side. One of his photographs, “The Fallen Soldier” (also known as? Death of a militiaman?), Became an icon of the war and became world-famous. In it, Capa managed to collect the precise moment in which the militiaman Federico Borrell died in Cerro Muriano, on the Córdoba front, on September 5, 1936, shot by a sniper.
Exploring the brains of 15 volunteers with the help of MRI, Arthur Aron, professor of psychology at New York University, has shown that the areas of the brain activated by seeing your partner’s photo can reduce pain by up to 44%, just as paracetamol does.
You say all the time that you want to study, but you still don’t have the money to do it. The most important thing about a dream is to set a fixed time, have a goal, and fulfill it. These are a small step by step on how to save to study.
Having a clear goal is not only what you want to study, but why you want to do it. Visualize it, draw it, include take a photo, and put it in a visible place. This image will serve as a daily reminder, as well as being a stimulus for what you are saving.
Have a list of all your expenses and your income, define very well which of those expenses can be reduced or eliminated. Set aside some money for fun, hanging out with your friends, or going to the movies.
As soon as you have a list of your income and expenses, and you know how much money you have extra, make it mandatory for your savings. If you don’t have extra money then SKIP TO STEP 5.
Estimate the value of the course or program you want to do, and divide it into your savings fees. There you will know the exact date for which you will have all the money. Mark the date on your calendar, and give it a monthly reminder. Each month, you must remember why you are saving.
Finding new forms of income, with simple jobs around the house, helping friends, letting people know that you are willing to work.
If you have already defined your expenses, your money for fun, and your savings, any extra income should be used to save your GOAL. This will help you shorten the saving time.
In general, when we talk about taking portraits, the popular imagination thinks of the typical photo sessions in which the model poses for the camera, more or less naturally, and the photographer takes a series of photos thinking of a possible book or report. But a portrait can go far beyond this concept because a well-done portrait can offer an infinite number of artistic possibilities.
As I said in the introduction when someone talks about portraiture. The vast majority of people automatically think of a photo session. Especially those people who are not related to photography. But also fans of this art who have never considered the portrait as something bigger than a simple photo session.
When I talk about a photo session, I am referring to the typical photographic sessions in which a model poses for the camera, with no other pretensions than to show off the clothes they are wearing or simply to graphically immortalize the physical appearance of that person. I just made up this definition and it is not intended to be, in any way, offensive or derogatory to these types of photos, just be clear! But if we accept that taking a portrait is much more than clicking in front of a person, we will agree that there are infinite possibilities to get the most out of the fact of taking pictures.
There are different ways to make a portrait. All of them have in common the human figure but they observe it in a different way in order to achieve different results. Here are some examples:
It consists of learning to look at the body in an abstract way and being able to see it, only, as figures, lines, or shadows to portray. The result is usually quite striking because if the body is well abstractualized, at first glance, the eye will not recognize that what it is seeing is a human figure. But with a little more observation, the figure will be discovered and, then, we cannot stop seeing it for what it is: the body seen in an original way. Any tips to get abstractualize the human figure? See it closely, play with light to hide some details and enhance others, and, above all, train the eye to see it in a different way. These tips, of course, can be used for any type of abstract photo, even if portraits are not included in it.
Here the human figure is everything. It is about creating a story and having our model represent it. The portrait that we must look for if we want to achieve this type of photography has to be planned, a slave to history, and focused on explaining something. So for these types of photographs, photographic planning is very important, as is the choice of the model. Perhaps the easiest way to get a human model is by visiting friends and family, but it may be that this is not enough for these types of photographs, since the person who appears in them has to be strong enough to convey what we want to explain. If you want to experiment with these types of portraits. Take your time looking for the right person to embody your characters. The end result will thank you!
Until now we have always talked about the human body as the main element of photography but we can also use it as one more element of the composition, which does not have special importance within the image. In the same way that in the image there may be a table or a window. We also incorporate a human figure. It will be difficult to ensure that our model does not add any kind of meaning beyond what the other elements of the composition can add because, as we have already said on occasion, the human factor always adds attractiveness and “visual hook” to a photograph. So it’s our job to learn to use it however we want. This is just one more photographic exercise that we can try to develop.
Another type of portrait in which the human figure is not the most important part of the composition. Or maybe yes, because even without being the main motif of the photograph. It will help us to give another meaning to the image. By looking for the human reference I mean to take a photograph in which there are no references to the real size of things. And place in it a human figure that performs the referential function. This can serve to show the majesty of landscapes, to reveal falsified macros … In these cases, in addition, we can achieve that the figure has a double function: on the one hand. As we have already seen, gives us the spatial references of our photography. And On the other hand, giving us that human factor that fills some images with meaning.
We have already spoken enough times about the self-portrait and about learning to look at it with different eyes. The fact is that for all the functions of the portrait that we have just seen, an “alien” portrait can work the same as a self-portrait. So do not close doors, if you want to do a portrait and you do not have any model available, consider being your own model.
Absolutely. We already know that taking photographs is not just activating the shutter. So any of the variables in the photographic process can be a good starting point for a creative portrait. For example, lighting. A portrait has as many possible illuminations as the photographer (or illuminator, if applicable) has the desire to innovate, so it would be absurd to try to classify portraits according to the type of lighting they have because, surely, no two illuminations will be exactly the same. Anyway, a long time ago, at photographyblog we talked about the main ways to illuminate portraits, but did you know that you can use light to modify the portrait as you wish and, thus, be able to transmit whatever you want? Let’s put a couple of examples:
If we illuminate a portrait from the wide side of the face. We will be able to soft textures and we will achieve a less angled face with softer features. This type of light is often used with corrective functions, to hide wide noses, for example. Even so, we can also use it to transmit serenity and purity since the shadows that will be generated on our model’s face will be few and, in addition. As a general rule, they will be “hidden” (by the nose or chin, for example). This type of light usually works very well with soft lighting, which adds a soft atmosphere to the portrait. But of course, anyone is free to do their research. And very interesting portraits can surely be achieved in broad, harsh lighting.
On the other hand, if we illuminate a portrait on the narrow side of the face (that is, on the side that is farthest from the camera), we will be able to enhance the contour of the face and hide the roundness of those more oval faces. This type of light creates highly visible shadows, sometimes leaving most of the skin in shadow. What can be achieved with this? You can get images with great force, with textures, with contrasts. Mysterious photographs in which what is hidden is perhaps more important than what is shown. This lighting usually combines well with harsh lights, which mark the shadows well. Although as in the previous case, this is not an immutable law!
A portrait, of course, can also be illuminated from the front. But a frontal light is not equivalent to a simple or meaningless light. This type of lighting usually generates very few shadows on the face of the model. So that the viewer’s attention will be placed on the gaze of the person portrayed, which will gain strength. This lighting often gives an air of grandeur and has been used extensively for portraits of famous people and artists.
Of course, the least important thing here is theory. The practice is everything. Learn to use lighting to transmit what you want, to count things. And, above all, do not close doors, experiment and believe!
A creative portrait can also include a good dose of digital processing. There are many photographers who take their images already thinking about the final result they want to achieve with them. This implies, perhaps, creating scenarios, characters, and stories through the computer. Always starting from the basis of a photograph, of course. In my personal opinion, the images resulting from these types of retouching begin to move away from what would be pure photography and closer to what I call “digital art.” It is not at all derogatory, just another branch of art. Be that as it may, it is an option that we can investigate in order to arrive at more creative and original portraits.
There are so many ways to present your photos once they are finished. As a general rule, we usually present them individually and independently of each other. Have you tried putting together some photos to see what happens to them? Sometimes, in the same photographic situation, we can take several photographs that complement each other. In this way, the story told by two separate images grows stronger and deeper. Mounting diptychs, triptychs, or photographic compositions, in general, can be another way to give a portrait of creativity.